HiFi Inn Audio
- 50, East Coast Road, Roxy Square, #01-26 Singapore, Singapore
- +6593829668
Featured Products
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Cyrus Pre VS2 Preamplifier
• Overview – The Cyrus Pre VS2 Preamplifier, released in 2006, is a solid state analogue preamplifier designed to deliver transparent signal routing, precise volume control, and flexible system integration within Cyrus’ compact die-cast chassis.
• Pure Analogue Signal Path – Engineered with a fully analogue architecture, it preserves musical detail and dynamic nuance, offering low noise performance and accurate tonal balance for high-resolution two-channel systems.
• Connectivity & Expansion – The Cyrus Pre VS2 Preamplifier provides multiple line-level inputs, tape loop functionality, pre-out connections, and compatibility with the PSX-R external power supply for enhanced performance refinement.
• Specifications – Solid state analogue design, frequency response 20Hz–20kHz ±0.1dB, low total harmonic distortion, high signal-to-noise ratio, multiple RCA inputs, remote-controlled precision volume control.
• Dimensions – Approximate dimensions are 215 mm wide × 75 mm high × 360 mm deep, maintaining Cyrus’ signature half-width form factor for space-efficient hi-fi rack placement.
• Weight – Weighing approximately 4.5 kg, the robust die-cast enclosure minimizes vibration and electromagnetic interference, ensuring stable, consistent performance over long listening sessions.
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Cyrus Smartpower Power amplifier
• Overview – The Cyrus Smartpower Power Amplifier, released in the early 2000s, is a solid state Class AB stereo power amplifier delivering compact high-current performance in Cyrus’ signature half-width die-cast chassis.
• Power & Drive – Rated at 70 watts per channel into 8 ohms and 100 watts into 4 ohms, it offers impressive control and dynamic headroom for bookshelf and compact floorstanding speakers.
• System Flexibility – The Cyrus Smartpower Power Amplifier can be bridged to operate in mono mode, significantly increasing output power, making it ideal for bi-amping or future system expansion.
• Specifications – Solid state Class AB design, 70W per channel into 8Ω, 100W into 4Ω, frequency response 20Hz–20kHz ±0.1dB, low distortion, high damping factor, heavy-duty linear power supply.
• Dimensions – Approximate dimensions are 215 mm wide × 75 mm high × 360 mm deep, maintaining Cyrus’ compact footprint for flexible rack or desktop installation.
• Weight – Weighing approximately 7 kg, the substantial internal transformer and heat sinking support stable operation and consistent performance during extended listening sessions.
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Classe CP50 Preamp and CA150 Power Amplifier
• Reference Heritage – Classe CP50 Preamp and CA150 Power Amplifier, released in the late 1990s, combine solid state Class A/AB design with refined Canadian engineering, delivering authoritative control, tonal neutrality, and long-term musical satisfaction.
• Preamplifier Performance – The CP50 preamplifier is renowned for its low-noise architecture, discrete circuitry, and transparent gain stages, offering excellent channel separation and a natural, unforced presentation across analog sources.
• Power Amplifier Authority – The CA150 stereo power amplifier provides high-current solid state Class AB operation, maintaining composure into difficult speaker loads while preserving midrange clarity, dynamic headroom, and tight, controlled bass response.
• Specifications – Power output is rated at approximately 150 watts per channel into 8 ohms, doubling into 4 ohms, with wide bandwidth, high damping factor, and stable operation into demanding loudspeakers.
• Dimensions – Classe CP50 Preamp and CA150 Power Amplifier. CP50 measures approximately 483 mm (W) × 76 mm (H) × 330 mm (D), while CA150 measures roughly 483 mm (W) × 178 mm (H) × 406 mm (D), suitable for standard hi-fi racks.
• Weight – CP50 weighs about 8 kg, while the CA150 weighs approximately 29 kg, reflecting substantial power supply design, heavy transformers, and rigid chassis construction for vibration control and thermal stability.
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Audio Research SP3 Preamplifier – Black Gold Faceplate
• Overview – The Audio Research SP3 Preamplifier – Black Gold Faceplate, released in 1973, is a tube preamplifier featuring a built-in MM phono stage and all-valve circuitry, widely regarded as one of Audio Research’s most influential designs.
• Legendary Tube Circuitry – Utilizing multiple 12AX7 and 6DJ8 vacuum tubes, the Audio Research SP3 Preamplifier – Black Gold Faceplate delivers exceptional harmonic richness, natural timbre, and remarkable musical engagement for analogue enthusiasts.
• Reference Analogue Performance – The Audio Research SP3 Preamplifier – Black Gold Faceplate is celebrated for its expansive soundstage, lifelike midrange reproduction, and highly resolving phono section, making it a sought-after vintage audiophile component.
• Specifications – All-tube preamplifier design, integrated MM phono stage, multiple line-level inputs, frequency response approximately 2Hz–100kHz, low distortion circuitry, tube-regulated power supply, RCA input and output connections.
• Dimensions – Approximately 483 mm (W) × 133 mm (H) × 286 mm (D), featuring the distinctive Black Gold faceplate and classic full-width chassis construction.
• Weight – Approximately 8–10 kg, reflecting substantial transformer construction, premium valve circuitry, and robust chassis engineering designed for long-term reliability.
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Anatek A50 Integrated Amplifier
• Overview – The Anatek A50 Integrated Amplifier, released in the late 1990s, is a solid-state Class AB integrated amplifier featuring a pure analogue signal path, designed to deliver musical performance and reliable everyday operation.
• British Audio Engineering – Built with a minimalist circuit philosophy, the Anatek A50 Integrated Amplifier emphasizes signal purity and short signal paths, resulting in a natural, engaging presentation with excellent rhythmic coherence.
• Musical Sound Quality – The Anatek A50 Integrated Amplifier is known for its smooth midrange, controlled bass response, and detailed treble, making it a capable partner for a wide variety of bookshelf and floorstanding loudspeakers.
• Specifications – 50W per channel into 8 ohms, Class AB solid-state topology, multiple line-level RCA inputs, frequency response approximately 20Hz–20kHz, low distortion design, high-current output stage for stable speaker control.
• Dimensions – Approximately 430 mm (W) × 90 mm (H) × 300 mm (D), featuring a compact full-width chassis suitable for standard hi-fi racks and space-conscious audio systems.
• Weight – Approximately 6–8 kg, reflecting solid construction, quality internal components, and a well-regulated power supply designed for long-term reliability.
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Yamaha C-4 Preamplifier and M-4 Power Amplifier
• Overview – The Yamaha C-4 Preamplifier and M-4 Power Amplifier, released in 1979, combine a solid-state analogue preamplifier with a Class AB solid-state power amplifier, delivering vintage Japanese engineering and audiophile-grade performance.
• Reference Vintage Combination – Designed during Yamaha’s golden era, the Yamaha C-4 Preamplifier and M-4 Power Amplifier offer exceptional flexibility, precise signal control, and a highly musical presentation suitable for both vinyl and digital sources.
• Advanced Analogue Engineering – The Yamaha C-4 features extensive MM/MC phono adjustments, while the M-4 provides high-current amplification with Yamaha’s Auto Class A capability, delivering refined detail and excellent loudspeaker control.
• Specifications – M-4 rated at 120W per channel into 8 ohms and 170W into 4 ohms, Class AB with Auto Class A operation, frequency response 10Hz–100kHz, C-4 includes MM/MC phono stage, multiple impedance and capacitance settings.
• Dimensions – C-4 measures approximately 435 mm (W) × 72 mm (H) × 320 mm (D), while the M-4 measures approximately 435 mm (W) × 165 mm (H) × 385 mm (D).
• Weight – The C-4 weighs approximately 7.5 kg, while the M-4 weighs approximately 18 kg, reflecting robust construction, substantial transformers, and premium analogue circuitry.
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Klyne 6L Preamplifier
• Overview – The Klyne 6L Preamplifier, released in the early 1990s, is a solid-state reference preamplifier featuring pure analogue circuitry and optional phono capability, designed for exceptional transparency and low-noise performance.
• Reference Analogue Design – Designed by Stan Klyne, the Klyne 6L Preamplifier utilizes a minimalist signal path and precision-selected components, delivering outstanding resolution, channel separation, and musical accuracy without artificial coloration.
• Audiophile Performance – The Klyne 6L Preamplifier is highly regarded for its neutral tonal balance, expansive soundstage, and exceptional microdynamic detail, making it an ideal partner for high-resolution source components and power amplifiers.
• Specifications – Fully discrete solid-state analogue design, multiple line-level inputs, optional MM/MC phono modules, frequency response approximately 5Hz–100kHz, ultra-low distortion, high signal-to-noise ratio, dual-mono architecture.
• Dimensions – Approximately 483 mm (W) × 95 mm (H) × 280 mm (D), featuring a low-profile chassis designed to minimize vibration and electromagnetic interference within high-end audio systems.
• Weight – Approximately 5–7 kg, reflecting premium internal components, extensive power regulation, and solid chassis construction for reliable long-term operation.
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Point Source PS5 Speakers
• Overview – The Point Source PS5 Speakers, released in the early 2000s, are compact two-way bookshelf loudspeakers engineered for accurate imaging, balanced tonal response, and flexible placement in small to medium listening environments.
• Point Source Driver Design – Designed to approximate a coherent point-source radiation pattern, the Point Source PS5 Speakers deliver precise stereo imaging, focused vocals, and excellent phase integration across the audible frequency range.
• Musical Performance – The Point Source PS5 Speakers provide a natural midrange, controlled bass response, and smooth treble presentation, making them suitable for both nearfield listening and conventional stereo system applications.
• Specifications – Two-way bass reflex bookshelf design, nominal 8-ohm impedance, sensitivity approximately 87–89 dB, frequency response around 50Hz–20kHz, recommended amplifier power 20–100 watts.
• Dimensions – Approximately 300 mm (H) × 180 mm (W) × 250 mm (D), offering a compact cabinet size suitable for stand-mount or shelf placement in space-conscious listening rooms.
• Weight – Approximately 5–7 kg per speaker, reflecting rigid cabinet construction and internal damping designed to minimize resonance and improve acoustic performance.
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Denon HA-1000 MC Phono Amplifier
• Overview – The Denon HA-1000 MC Phono Amplifier, released in the late 1980s, is a solid-state moving-coil step-up phono amplifier engineered to enhance low-output MC cartridge performance with low-noise analogue amplification.
• Moving-Coil Signal Amplification – Designed specifically for MC cartridges, the Denon HA-1000 MC Phono Amplifier boosts delicate phono signals while preserving tonal accuracy, dynamic range, and low-level musical detail during vinyl playback.
• Low-Noise Circuit Design – The Denon HA-1000 MC Phono Amplifier utilizes precision analogue circuitry and high-quality internal components to minimize background noise and maintain stable signal integrity across demanding analogue systems.
• Specifications – Dedicated MC phono amplifier, low-noise solid-state topology, compatible with low-output moving-coil cartridges, RCA input/output connections, optimized gain structure, wide frequency response, high signal-to-noise performance.
• Dimensions – Approximately 250 mm (W) × 70 mm (H) × 200 mm (D), featuring a compact chassis suitable for placement near turntables and phono preamplifiers within analogue audio systems.
• Weight – Approximately 2–3 kg, reflecting solid internal shielding and durable chassis construction designed to minimize interference and vibration during operation.
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Rogers Cadet III Tube Integrated Amplifier
• Overview – The Rogers Cadet III Tube Integrated Amplifier, released in 1965, is a Class AB tube integrated amplifier featuring EL84 output tubes and built-in phono stage for classic British analogue performance.
• Classic Valve Amplification – Utilizing EL84 output valves and ECC83 preamp tubes, the Rogers Cadet III Tube Integrated Amplifier delivers warm midrange, smooth treble, and engaging musicality highly regarded by vintage audio enthusiasts.
• Vintage British Engineering – The Rogers Cadet III Tube Integrated Amplifier combines compact construction with minimalist circuitry, producing a natural tonal presentation ideal for efficient loudspeakers and intimate listening environments.
• Specifications – Approximately 10–12W per channel into 8 ohms, Class AB tube topology, EL84 output tubes, integrated MM phono stage, multiple analogue inputs, frequency response approximately 20Hz–20kHz.
• Dimensions – Approximately 305 mm (W) × 140 mm (H) × 230 mm (D), featuring a compact chassis layout with exposed transformers and accessible tube placement for maintenance.
• Weight – Approximately 7–9 kg, reflecting solid transformer construction and durable metal chassis design typical of classic British valve amplifiers from the 1960s.
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SVS SB12-NSD Subwoofer
• Overview – The SVS SB12-NSD Subwoofer, released in 2010, is a sealed active subwoofer featuring a solid-state Class D amplifier, engineered for deep, accurate bass performance in compact audiophile and home theatre systems.
• Sealed Cabinet Performance – Utilizing a sealed enclosure design, the SVS SB12-NSD Subwoofer delivers fast transient response, tight bass articulation, and excellent low-frequency control without excessive boom or overhang.
• High-Excursion Driver Design – The SVS SB12-NSD Subwoofer incorporates a custom 12-inch high-excursion driver capable of substantial output and low distortion, providing impactful bass while maintaining musical accuracy across varied listening content.
• Specifications – 400W RMS Class D amplifier, 12-inch front-firing driver, frequency response approximately 23Hz–270Hz, continuously variable crossover and phase control, RCA line-level inputs, compact sealed enclosure architecture.
• Dimensions – Approximately 370 mm (W) × 370 mm (H) × 400 mm (D), offering a compact footprint suitable for discreet placement in stereo or home theatre environments.
• Weight – Approximately 15–16 kg, reflecting solid cabinet construction, internal amplification hardware, and heavy-duty driver assembly for stable low-frequency performance.
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Musical Fidelity A3.2 Integrated Amp
• Overview – The Musical Fidelity A3.2 Integrated Amp, released in 2002, is a solid-state Class AB integrated amplifier featuring pure analogue circuitry without DAC or phono stage, delivering powerful and refined musical performance.
• High-Current Amplification – Designed with a robust power supply, the Musical Fidelity A3.2 Integrated Amp delivers strong current capability, producing tight bass control, dynamic headroom, and stable performance with a wide range of loudspeakers.
• Sound Signature – The Musical Fidelity A3.2 Integrated Amp is known for its smooth tonal balance, open midrange, and extended highs, offering a musical yet controlled presentation suitable for long listening sessions.
• Specifications – 115W per channel into 8 ohms, approximately 185W into 4 ohms, Class AB topology, multiple line-level inputs, frequency response 10Hz–20kHz, low distortion, high damping factor for speaker control.
• Dimensions – Approximately 440 mm (W) × 100 mm (H) × 400 mm (D), designed for standard hi-fi rack integration with adequate ventilation for stable thermal performance.
• Weight – Approximately 12–14 kg, reflecting a solid transformer, quality internal components, and robust chassis construction for reliable long-term use.
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Adcom GFP-345 Preamp
• Overview – The Adcom GFP-345 Preamp, released in 2000, is a solid-state preamplifier featuring built-in DAC functionality, designed to provide flexible source integration and clean signal control for modern hi-fi systems.
• Digital & Analogue Integration – Combining analogue preamplification with onboard digital conversion, the Adcom GFP-345 Preamp supports both traditional sources and digital inputs, offering convenience without compromising core audio performance.
• Sound Performance – The Adcom GFP-345 Preamp delivers a neutral, low-noise presentation with stable channel balance and good transparency, making it a reliable control centre for a wide range of power amplifiers.
• Specifications – Solid-state preamp with integrated DAC, multiple RCA inputs, coaxial and optical digital inputs, frequency response 20Hz–20kHz, low distortion, remote control operation, high signal-to-noise ratio.
• Dimensions – Approximately 432 mm (W) × 100 mm (H) × 300 mm (D), designed for standard hi-fi rack integration with a compact yet functional full-width chassis layout.
• Weight – Approximately 6–7 kg, reflecting durable construction, internal DAC circuitry, and stable power supply design for consistent long-term performance.
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Sonic Frontiers SFL-1 Preamp
• Overview – The Sonic Frontiers SFL-1 Preamp, released in 1993, is a tube preamplifier featuring pure analogue circuitry with optional phono stage, delivering classic valve warmth and high-resolution musical performance.
• Tube Circuit Design – Utilizing premium vacuum tubes and a minimalist signal path, the Sonic Frontiers SFL-1 Preamp achieves low noise, excellent linearity, and rich harmonic texture prized by analogue and vinyl enthusiasts.
• Musical Performance – The Sonic Frontiers SFL-1 Preamp is known for its smooth midrange, expansive soundstage, and refined treble, offering a natural, engaging listening experience across both digital and analogue sources.
• Specifications – Tube preamplifier design, line-level inputs with optional MM/MC phono stage, frequency response approximately 20Hz–20kHz, low distortion, high signal-to-noise ratio, external power supply for improved isolation.
• Dimensions – Approximately 483 mm (W) × 133 mm (H) × 305 mm (D), featuring a full-width chassis designed for stable placement and effective heat dissipation for tube operation.
• Weight – Approximately 8–10 kg including power supply, reflecting solid construction, quality transformers, and durable chassis design for long-term reliability.
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Arcam Diva A90 Integrated Amplifier
• Overview – The Arcam Diva A90 Integrated Amplifier, released in 2003, is a solid-state Class AB integrated amplifier featuring a built-in MM phono stage, delivering refined British sound with strong musicality and versatility.
• Amplification Performance – Designed for balanced tonal delivery, the Arcam Diva A90 Integrated Amplifier provides smooth midrange, controlled bass, and detailed highs, making it suitable for a wide range of loudspeakers and music genres.
• Connectivity & Features – The Arcam Diva A90 Integrated Amplifier includes multiple line-level inputs, a dedicated MM phono stage, pre-out connections, and remote control operation for flexible system integration.
• Specifications – 90W per channel into 8 ohms, 125W into 4 ohms, Class AB topology, MM phono input, frequency response 20Hz–20kHz, low distortion design, high current capability for stable speaker control.
• Dimensions – Approximately 430 mm (W) × 110 mm (H) × 370 mm (D), designed to fit standard hi-fi racks with adequate spacing for airflow and cable management.
• Weight – Approximately 9.5 kg, reflecting solid construction, quality internal components, and a well-regulated power supply for consistent long-term performance.
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Gryphon Diablo 250 Integrated Amp
• Overview – The Gryphon Diablo 250 Integrated Amp, released in 2016, is a solid-state Class AB integrated amplifier featuring optional DAC and phono modules, delivering high-current performance and full-system integration in one chassis.
• High-Current Power Design – Engineered with a massive dual-mono power supply, the Gryphon Diablo 250 Integrated Amp delivers exceptional control, deep bass authority, and effortless dynamics across even the most demanding loudspeaker loads.
• Modular Flexibility – The Gryphon Diablo 250 Integrated Amp supports optional internal DAC and phono modules, allowing users to build a complete high-end system while maintaining Gryphon’s signature sonic purity and upgrade flexibility.
• Specifications – 250W per channel into 8 ohms, 500W into 4 ohms, Class AB topology, fully balanced circuitry, frequency response 0.1Hz–350kHz, high damping factor, optional DAC and phono stage modules available.
• Dimensions – Approximately 480 mm (W) × 245 mm (H) × 465 mm (D), reflecting a substantial chassis designed for thermal stability and housing its oversized transformer and internal modules.
• Weight – Approximately 38 kg, demonstrating heavy-duty construction, large power reserves, and extensive heat sinking required for high-current amplifier performance.
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Proac Response 3.5 Speakers
• Overview – The Proac Response 3.5 Speakers, released in 1999, are high-end floorstanding loudspeakers featuring a two-way design with extended bass loading, engineered for natural tonal balance and expansive soundstage reproduction.
• Driver & Cabinet Design – Utilizing a soft-dome tweeter and long-throw mid-bass driver with rear-loaded bass system, the Proac Response 3.5 Speakers deliver deep, controlled bass with minimal cabinet coloration.
• Sonic Performance – The Proac Response 3.5 Speakers are known for their rich midrange, smooth treble, and immersive imaging, offering a musical and engaging presentation ideal for both analogue and digital sources.
• Specifications – Two-way floorstanding design, nominal 8-ohm impedance, sensitivity approximately 88 dB, frequency response around 25Hz–30kHz, recommended amplifier power 30–200 watts for optimal performance.
• Dimensions – Each speaker measures approximately 1040 mm (H) × 200 mm (W) × 320 mm (D), providing a slim floorstanding footprint suitable for medium to large listening rooms.
• Weight – Each unit weighs approximately 25–30 kg, reflecting solid cabinet construction and internal damping designed to reduce resonance and improve acoustic stability.
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Primare L30 Floorstanding Speakers
• Overview – The Primare L30 Floorstanding Speakers, released in the early 2000s, are slim floorstanders designed for balanced, musical sound reproduction with Scandinavian design aesthetics and room-friendly proportions.
• Driver & Cabinet Design – Featuring a two-way bass reflex configuration, the Primare L30 Floorstanding Speakers combine a dedicated mid-bass driver and soft dome tweeter within a rigid cabinet to reduce resonance and improve clarity.
• Sound Character – The Primare L30 Floorstanding Speakers deliver smooth tonal balance with articulate midrange, controlled bass, and non-fatiguing treble, making them suitable for long listening sessions across varied music genres.
• Specifications – 2-way bass reflex design, nominal 8-ohm impedance, sensitivity approximately 88 dB, frequency response around 40Hz–20kHz, recommended amplifier power 30–120 watts for optimal performance.
• Dimensions – Each speaker measures approximately 900 mm (H) × 200 mm (W) × 300 mm (D), offering a compact footprint suitable for modern living spaces while maintaining proper acoustic volume.
• Weight – Each unit weighs approximately 16–18 kg, reflecting solid cabinet construction and internal damping materials that enhance stability and reduce unwanted vibrations.
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McCormack DNA-125 Power Amplifier
• Overview – The McCormack DNA-125 Power Amplifier, released in 2001, is a solid state Class AB stereo power amplifier delivering high-current performance, minimalist circuit design, and exceptional musical transparency.
• Circuit Philosophy – Designed by Steve McCormack, the amplifier uses a direct-coupled, no-capacitor signal path, allowing the McCormack DNA-125 Power Amplifier to achieve fast transient response and low distortion.
• Sonic Performance – Known for its smooth yet dynamic presentation, the McCormack DNA-125 Power Amplifier delivers tight bass control, open midrange clarity, and extended highs without harshness or fatigue.
• Specifications – 125W per channel into 8 ohms, 185W into 4 ohms, Class AB topology, high-current output stage, wide bandwidth design, low feedback circuit, high damping factor for speaker control.
• Dimensions – Approximately 432 mm (W) × 140 mm (H) × 350 mm (D), featuring a robust full-width chassis designed for stability, heat dissipation, and integration into standard hi-fi racks.
• Weight – Approximately 12–14 kg, reflecting solid transformer design, high-quality components, and durable construction for reliable long-term performance.
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Audio Research VSI55 Tube Integrated Amplifier
• Overview – The Audio Research VSI55 Tube Integrated Amplifier, released in 2006, is a Class AB tube integrated amplifier using KT88 output tubes, featuring a pure analogue signal path without DAC or phono stage.
• Tube Amplification Character – Delivering classic Audio Research sonics, the Audio Research VSI55 Tube Integrated Amplifier offers open midrange, harmonic richness, and refined treble with excellent musical flow and natural tonal balance.
• Build & Circuit Design – The Audio Research VSI55 Tube Integrated Amplifier employs a fully discrete valve circuit with high-quality transformers, ensuring stable operation, low distortion, and consistent performance across various loudspeaker loads.
• Specifications – 50W per channel into 8 ohms, Class AB push-pull tube design, KT88 output tubes, frequency response 10Hz–40kHz, input impedance 300k ohms, multiple line-level inputs, no internal DAC or phono stage.
• Dimensions – Approximately 483 mm (W) × 178 mm (H) × 381 mm (D), with an open-top chassis design allowing proper heat dissipation and easy tube access.
• Weight – Approximately 22 kg, reflecting heavy-duty output transformers, solid chassis construction, and robust power supply required for stable tube amplifier operation.
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AudioMeca Obsession CD Player with Remote
• Overview – The AudioMeca Obsession CD Player with Remote, released in the mid-1990s, is a high-end CD player featuring a top-loading transport and refined analogue output stage for musical, natural digital playback.
• Transport & Design – Built with a precision top-loading mechanism and minimalist signal path, the AudioMeca Obsession CD Player with Remote reduces mechanical vibration and jitter, enhancing timing accuracy and playback stability.
• Analogue Sound Character – Known for its smooth, organic presentation, the AudioMeca Obsession CD Player with Remote delivers rich tonal balance, fluid midrange, and refined treble, appealing to analogue-focused digital listeners.
• Specifications – Top-loading CD player design, integrated DAC architecture, low-jitter clocking, analogue RCA outputs, remote control operation, optimized signal path for reduced distortion and improved musical coherence.
• Dimensions – Approximate dimensions are 450 mm (W) × 120 mm (H) × 350 mm (D), featuring a substantial chassis that supports vibration control and stable disc playback.
• Weight – Weighs approximately 12–15 kg, reflecting robust construction, dedicated transport assembly, and internal shielding for consistent high-quality performance.
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Meridian 200 CD Player
• Overview – The Meridian 200 CD Player, released in 1986, is a transport-only CD player designed for use with external DACs, delivering precision disc reading and low-jitter digital output for high-end digital systems.
• Transport Engineering – Built with a robust Philips CDM-1 swing-arm mechanism, the Meridian 200 CD Player ensures stable disc tracking, reduced read errors, and long-term reliability for consistent digital playback performance.
• System Integration – Designed as part of Meridian’s modular digital ecosystem, the Meridian 200 CD Player pairs seamlessly with external DACs, allowing users to upgrade conversion stages while maintaining a high-quality transport.
• Specifications – CD transport only (no internal DAC), coaxial and optical digital outputs, Philips CDM-1 mechanism, low-jitter clocking, 16-bit Red Book CD compatibility, optimized for use with external digital-to-analogue converters.
• Dimensions – Approximately 321 mm (W) × 88 mm (H) × 332 mm (D), featuring a compact half-width chassis design suitable for stacking with matching Meridian components.
• Weight – Weighs approximately 5–6 kg, reflecting solid internal transport construction and durable chassis design for long-term operational stability.
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Audio Technica LP5x Turntable
• Overview – The Audio Technica LP5x Turntable, released in 2019, is a direct-drive turntable featuring built-in phono stage and USB output, designed for accurate vinyl playback and modern system integration.
• Direct-Drive Precision – Equipped with a quartz-locked direct-drive motor, the Audio Technica LP5x Turntable ensures stable rotation, low wow and flutter, and reliable speed accuracy for consistent analogue performance.
• Tonearm & Cartridge – The Audio Technica LP5x Turntable includes a J-shaped tonearm and factory-installed AT-VM95E cartridge, offering excellent tracking, balanced tonal presentation, and an easy upgrade path for vinyl enthusiasts.
• Specifications – Direct-drive motor, 33⅓ and 45 RPM speeds, built-in switchable MM phono stage, USB output for digitization, frequency response 20Hz–20kHz, low wow and flutter, RCA line and phono outputs.
• Dimensions – Measures approximately 450 mm (W) × 352 mm (D) × 157 mm (H), providing a full-size footprint suitable for hi-fi racks while maintaining stability and ease of operation.
• Weight – Weighs approximately 7.3 kg, featuring a solid plinth construction and damped platter to reduce vibration and improve playback accuracy.
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